We are living in an information crisis. All physical and digital institutions for media consumption apply bias via the acquisition, taxonomy and dissemination of the collection. In days past and present, knowledge is an instrument of both theoretical and physical war. The conflict that controls the circulation of information cannot be fully democratized through architecture. However, society’s relationship with media can be speculated on through poetic and critical architecture.
The Hemotheque, or the library of blood, is an autonomous anti-internet that disperses knowledge. The mosquito-like hive pollinates media between locations of literacy disparity. These aesthetics are allegorically driven by parasitism, autonomy, and fear.
